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FINDING
THE KEY
There’s a tale about an old woman who was out walking late
one night when she came upon a girl searching for something under a streetlight.
“What are you looking for?” the old woman asked.
“I’m looking for the key,” said the girl.
The old woman joined in the search, but they didn’t find it. And
so she asked, “Where exactly did you lose the key?”
“Over there,” the girl answered, pointing toward a dark doorway
about ten feet away.
Confused, the old woman wondered, “If you lost the key over there,
why are you looking here?”
And the response came, “This is where the light is.”
There should be a warning that screams danger when an adolescent girl
thinks of herself as a pretty thing, a doll whose reason for being is
to please others. And if the problem persists into adulthood, the girl,
or someone who loves her, needs to cry out for help. But many people,
Kate and her parents included, don’t have that awareness; they’re
caught in the spell cast by the female archetype that prescribes such
behavior. So Kate continued for so long to look for love in her old way,
under the light, when she needed to look in the darkness of her own psyche.
Indeed, that was the only place where she stood a chance of finding it.
The problem was, she feared the dark. Her fear was so great that she chose
death instead, and when that didn’t happen, a deathlike depression.
Create a picture in your mind’s eye of a pretty little child,
sweet, compliant, and often pampered. As a woman, she’s still a
child who relies on others to lead her, and given the needs of those others,
she might be a sexual object as well. In effect, she’s a thing to
be indulged, petted, and even abused. That’s the effect of a particular
female archetype that has so many of us under its spell. It also describes
the severely depressed woman named Kate who walked into my office with
her friend one day. The dark that she feared inside was her own rage and
the emptiness that lay below.
I remember sitting with her in silence, sensing the simmering anger
and the heaviness of her body—indeed, of the very air around her.
As is my practice in therapy, I placed some awareness in my own mind/body
process and looked for my reactions to Kate. I found some of that same
heaviness she felt: sadness is often catching. And I felt my own anger.
It was a very old anger that had lodged inside me when I was an adolescent
trying to find a way out of another rendition of that old female archetype.
And here, sitting right before me in my office, was an example in grown-up
form. Over the years I have seen many of these women and watched many
renditions of their pain and suffering.
It’s not as though Kate’s parents made a conscious decision
to hurt her; like most parents, they wanted only the best for her. However,
much parenting is habit-driven, an unconscious pattern that repeats itself
from generation to generation. Like her mother before her, Kate’s
unique personality, her particular temperament, tastes, or curiosity,
were tamped down. No one was to blame; her parents knew no other way.
At the root of the problem was the difficulty we all have breaking out
of habit-driven behavior.
If he were alive today, Martin Buber would call this habit-driven parenting
an example of an I-It relationship; the word It refers to the child being
treated as a thing to be used, an object designed to suit her parents
or to fulfill the archetype that guided them. Treated as an It, a girl
doesn’t develop a self of her own; she feels empty and so needs
others to lead her. But she also resents being led. In this sense, she
is angrily addicted to the influence of others.
As an alternative, Martin Buber would suggest I-Thou parenting, which
assumes a little bit of God in every child, including this girl child
named Kate. As a conscious approach to parenting, I-Thou suggests that
the challenge of parents is to help their child manifest as a singular
being, an embodiment of the diversity that characterizes a sacred world.
Kate’s silence during the first sessions we spent together gave
me the time to travel through thoughts like these. I was also able to
find the stillness I needed to be present for her. I knew rather quickly
that there was no way to relate to Kate with words; she really couldn’t
respond in kind at that time. Instead, the challenge was to focus my awareness
on her, meeting her eyes when she allowed that to happen, and sometimes
smiling my acceptance of her even if she wasn’t looking. And we
breathed together.
Slowly, ever so slowly, in psychotherapy and with the help of medication,
Kate came out of her depression. At first it was a matter of just accomplishing
the basics: eating, sleeping, and moving her body several times during
the day. Gary took her for a walk every morning and Maggie made food for
her. Every afternoon her son played on her bed, whether she was awake
or sleeping. At times, when the waves of depression ebbed, she and I explored
the story she was living and how it had become another kind of death.
But for a long time her world was very dark, and we could do little but
wait.
So it was truly a miracle when, at long last, she heard herself say,
“NO.” This was no fleeting sound; it came as a loud, insistent
push, much like a surge of electricity. Not only was there something going
on inside, but Kate was aware of it. The idea of getting up to greet Gary
came with a very clear NO in her mind and the powerful surge of an angry
feeling in her body. The combination woke her up. Her trouble felt real
to her. She couldn’t deny the reality that she was furious at her
husband.
In therapy, this was the starting point, a foundation from which we
could build. Once, when she felt that anger during a session, I asked
her to close her eyes and find it in her body. She said it felt like a
searing pain in her chest. As part of the process, I then suggested she
keep her awareness trained on that pain, watching for some change, be
it in location, in intensity, or even in quality—it could even change
into some other feeling. Indeed, that’s what happened. After a while,
the searing pain in her chest faded and a certain kind of flutter emerged
in her stomach. That was fear. It was a fear of Gary, certainly, but as
we soon learned, it was also a fear of her own emptiness, that gnawing
hole she felt inside her stomach. This was a significant step on the path
toward healing.
Imagine being in a serious depression. On the continuum of awareness,
this is at the very low end. Thinking is confined to the concrete, the
tangible. The world is gray and feelings are blunted. Life contracts to
the most minimal of repetitive behaviors. No sunset, no baby’s smile,
not even a lover can hold one’s attention. When Kate was seriously
depressed, she didn’t experience any mood or emotion, and there
was nothing much to think about.
Only a little higher on the continuum is what we call being on automatic.
Within this state, much of life is made up of habitual behavior. Getting
up, brushing our teeth, going to work are all accomplished with very little
awareness. Sometimes summers come and go, babies are born, grow up, leave
the house, and we’re barely aware of it. Kate was on automatic when
she lived with Gary. Even her complaining was habitual; it had no energy
behind it. She forgot about it in the next moment. Most of us get lost
in automatic living for periods of time during every single day.
At the high end of the continuum of awareness are those exquisite moments
when we are experiencing focused or one-pointed awareness. We really see
the baby’s smile, hear her laugh, feel her tiny heart beat, taste
the sweetness of her new skin. When this happens, time itself slows down.
Experiences like these become high points in life. As Kate moved out of
her depression, she had moments when the trees outside her window caught
her attention, her son’s laughter opened her heart, and she could
receive Ken’s love.
Given where we are on that continuum, our six senses (seeing, hearing,
tasting, smelling, feeling, and, in meditation, thinking) take in more
or less information. At one end of the continuum, it’s as though
our eyeglasses are dirty, so very little information gets in. Somewhere
in the middle, our glasses become cleaner, and we experience more of life.
But it’s still minimal; new information has to be very intense to
grab our attention. At the other end, with new glasses, it’s possible
to see very clearly. The world becomes brighter, more alive. With heightened
states of awareness, not just sight but all our senses are open and vibrating.
We can all increase our capacity for one-pointed awareness. It can help
us know our emotions. For this work, it’s helpful to realize that
emotions are composed of both thoughts in the mind and feelings in the
body. Knowing both is important, because thoughts by themselves can be
thoroughly confusing, while feelings in the body tend to be grounding.
Stub your toe, and you know for sure that it hurts; think about stubbing
your toe, and you might hear yourself drown in self-blame. I should have
watched where I was going. Why am I so clumsy? If this happens, the pain
in your stubbed toe can get so scrambled with your blaming mind that you
end up in a muddle.
Being aware of the difference between feelings in the body and thoughts
in the mind is certainly valuable, but being grounded in feelings as they
are expressed in the body is priceless. By way of example, Kate’s
awareness of the NO she felt in her body when Gary came home became a
touchstone. Over time she realized that her NO emerged rather frequently
when Gary was around, and that she got angry in response to his abusive
behavior. Then she became aware of the fear that came along with her NO.
Now Kate could name her trouble: she was in an abusive relationship.
And she could name two of the emotions her trouble triggered: anger and
fear. All this existed. It was real. Of that she was sure.
There are less dramatic ways to gain insight into your emotions. You
can observe yourself watching television or a movie. Notice, for instance,
what happens when you’re watching a horror film. Do your muscles
feel tense? Focus on that tension and ask yourself, Am I afraid? Am I
angry? Is it a combination of the two? You can also ask, Is this muscle
tension constant, or does it change as the music changes?
Watch your body while looking at a news report on terror. Perhaps you’ll
detect a flicker of discomfort in your stomach. What word would you use
to label the feeling? Is it fear? Is it anxiety? Does it go away after
the show is over, or does it hang around and enter into your dreams at
night? These are experiments that ask you to use awareness to learn more
about your own particular body sensations.
A greater awareness of the body sensations that are part of an emotion
can help you feel centered in your own experience. Then it’s easier
to act on your own behalf. For Kate, it was a first step toward the dissolution
of a bad marriage. And then she found another man to love. It appears
that her story therefore has a happy ending. Instead, I would say it has
a happy intermission. She came a long way from being a woman who tried
to kill herself to the vibrant woman she is now. Questions still remain:
Will she stay on the path toward wholeness, or is Ken the next man in
whom she will lose herself? At the end of the story she tells, Kate is
optimistic about her future; unfortunately, it may also be that she is
still looking in the wrong place for the key to her happiness.
Nevertheless, Kate found her way out of a deep depression, left an abusive
marriage, reared a thriving child, and found someone who could love her.
Each is evidence of the strength this woman found in herself Nevertheless,
Kate found her way out of a deep depression, left an abusive marriage,
reared a thriving child, and found someone who could love her. Each is
evidence of the strength this woman found in herself and predictive of
the good things to come in the future. Kate is on the path to wholeness
and still has a way to go.
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